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Wednesday, July 17, 2019

Looking Paper

In The Countess Von Schonfeld with Her Daughter, Elisabeth Louise Vigee- Lebrun use size and placement to emphasize the figures of the develop and the young girlfriend. Elisabeth set the pair in the foreground, and she posed them so that their visual weights feature to orchestrate a single mass, the largest form in the painting. Strongly contrasting determine of light skin against a queasy ambit add further emphasis. inwardly this emphasis area, Elizabeth uses color of sight to fashion a focal point on the little girls white dress and the mothers dress.Elisabeth has subordinated the background so that it does not interfere, blurring the detail and working(a) in a narrow cultivate of light values. The painting is oil on canvas art piece multi-coloured in 1973. It is a painting of a women holding her female child on her lap, the women existence The Grafin von Schonfeld. The woman is dressed in this dishy red dress from the upper crystalize or a royalty tiptop in the l ate 1700s. The clothing looks well-off green with red.She has a covering on her head that looks like an extravagant jack off that drapes over her shoulder on i side, also made of the dame cunning clobber used for her dress. The woman has brainsick skin, reddish brown whisker, bluish eyes, and golden cheeks. Her eyes look very rattling and penetrating when you examine the painting. The young lady is active the age of 5 or 6 years old. Her arms are slightly her mothers neck and legs enwrapped across her mothers lap.The daughter is wearing a white tranquil dress that looks thin in material with red sash around her midsection. The daughter has the same reddish brown hair and rosy cheeks. The mothers and daughters eyes are equally as big n size, sequence the childs eyes await also very real and youthful. The women and daughter are sitting on a bench of some sort on a ledge of a windowpane open. Outside the window there is ornament of mountains, trees and stormy sky. The sky is rich with full(prenominal) value of grays including the whites of the clouds.

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