Monday, September 23, 2013

Hitchcocks Motifs: An in depth reading of Vertigo.

Alfred Hitchcock was an auteur who relied upon a set of codes and conventions which make his films some of the near unforgettable ever do. He was primarily concerned with authorship in his films and tended to use dark fears and imaginative settings to attract the audience. For example this typecast of setting was used in the film Psycho. The majority of the films that Hitchcock made were very similar and this is because he included specific motifs that were symbolic of him and his style. He would somehow incorporate these motifs into his films, sometimes in antithetic ways, and they would form the base of which the film was to work on. Hitchcock liked to halt the audience thinking and wanted viewers to in a way be confused at what he is test to show only for it to be revealed at the end. It eventually would pay back clear in his films but only because the audience were so familiar with his trademark cinematography and mise en scene. He was quoted as saying, unceasingl y make the audience suffer as often as possible. And this he did do. One of the defining characteristics of most of Hitchcocks films was that he would make a cameo appearance.
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However because this would also belong so familiar, he would make his appearance in the setoff of the films because he knew viewers were watching out for him. This way it wouldnt warp their economic aid away from the storys plot and this typifies the regard that he had to the importance of a films plot. In the film Vertigo, we see the persona of Hitchcock at its best. The film opens with an ill chase over the rooftops of San Francisco that leaves law detective John Scottie Ferguson (James ! Stewart) drown with an intense... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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